Centers Crosses Chains & Links  Design Eras

Timelines - Styles & Design Eras

1800

1830

1840

1850

1880

1890

1900

1910

1920

1930

1940

1950

1960

1970

Georgian

Victorian

Edwardian

 

 

 

 

 

 

 

 

 

 

Art Nouveau

Arts & Crafts

 

 

 

 

 

 

 

 

Art Deco

 

 

 

 

 

 

 

 

 

Retro

 

 

 

 

 

 

 

 

 

 

Minimalist

 

 

 

 

 

 

 

 

 

 

 

 

Art Nouveau Revival

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

From

To

Center Medals

 

 

Many early rosaries did not have center medals or had simple blocks of wood at the join of the beads.

 

 

'Puffed' heart center medals, usually with a Marion monogram, were especially popular in Germany and Belgium.

 

 

Center medals only became popular in the mid to late 1800s. Rosaries made through the mid-1860s commonly had simple heart-shaped center medals depicting the Sacred Heart, Mary, or a stylized M.  Inverted ones bearing Marian monograms were the first. .

Toward the end of the 1800s and into the early 1900s, it's common to find center medals facing "upside down".

 

 

 

Miraculous Medals began in 1830, but the medals weren't used for rosary centers until late in the 1800s.

 

 

Scapular center medals (Sacred Heart of Jesus on one side and Our Lady of Mt Carmel on the other) were added in than 1910.

 

 

 

From

To

Crosses / Crucifix

 

 

Through the mid 1860s, rosaries frequently had simple wood crosses without a corpus.

 

 

Showing the feet side by side, with a nail in each, is common in crucifixes before approx 1830. More recent crucifixes occasionally show the feet this way, but overlapped with one nail is the usual configuration.

1830

1900+

Composite crucifixes: In the Victorian era (1837-1901), composite crucifixes were common. These crucifixes might be a combination of a wood cross wrapped with aluminum or brass, and a metal corpus. Metal crosses with a thin layer of wood or mother of pearl inlay were also popular and featured a metal corpus. Celluloid was another popular layering material that sometimes took on the appearance of ivory, tortoise shell, or mother of pearl.

1830

1910

Stamped Metal crucifixes were also common during the Victorian era, including those which featured a crucified Christ on one side and Mary or a crucified St. Wildefortes on the reverse.

1864

1920+

Stanhope Peepholes: Tiny peephole viewers followed the invention of the photograph in the mid 1800's. They were especially popular from 1870 - 1920s, and were still made at the end of the 20th century.

1905

 

Pardon Crucifix

Pontifical Rescript of June 1, 1905. Ecclesiastical Sanction, January 15, 1907 .

1940

1970

I am a Catholic... In the mid 20th century many rosary crucifixes had the message, "I am a Catholic. In case of emergency please call a Priest." or "I am a Catholic. Please call a Priest." inscribed on the back. Military rosaries tend to have the second expression whereas non-military rosaries tend to have the first. Though you can still find some crucifixes with this language today, it was mostly discontinued by the 1970s.

1964

 

Scorzelli Crucifix Lello Scorzelli was born in Naples in 1921 and died in Rome at the age of 68. His best known work is the staff with the rugged crucifix on top that was created for Pope Paul in the mid-1960s. The piece has become closely identified with the pontificate of Pope John Paul II, and remains the model for the crucifix on the rosaries Pope Benedict gives to his guests.

From

To

Design Eras

1790

1831

Georgian

(1790-1831) The period prior to the Victorian Era that includes the early part of the nineteenth century. Plants and animal themes were popular. This style enjoyed a revival around the beginning of the twentieth century.

A period in history running from 1714 to 1830, named after the English kings George I-IV who were on the throne at the time. Georgian jewelry moved away from the heavy enamels of the seventeenth century, appearing lighter and more airy. They are characterized by exquisite goldwork and Old Mine cut, rose cut and table cut stones, which were usually collect set and foil-backed. Common motifs are stars, ribbons, scrolls and flowers. Popular trends were memorial jewelry, cameos and intaglios, neoclassical motifs, Berlin iron and painted miniatures. Many Georgian pieces were later re-set to reflect more contemporary design and are highly collectible.

1837

1901

Victorian

The term "Victorian" properly refers to the period of time during the reign of Queen Victoria of England. However, it is often used to generically describe the 1900's and the early part of the twentieth century. Victorian designs are typically highly ornamental. Floral and other natural designs were extremely prevalent.

The Victorian period is named after the reign of Queen Victoria, who was on the English throne from 1837 until 1901. Within this period there are three distinct phases: early, mid- and late Victorian. As Victoria came to the throne and began her courtship and marriage to Prince Albert, the early Victorian period focused more and more on sentiment and tokens of love. Jewelry was soft and delicate, with a focus on floral and sentimental motifs. Then with the death of Prince Albert in 1861, the whole country was thrown into mourning, with memorial jewelry coming to center stage. Jewelry became strong and bold, reaching massive proportions in the 1860s and 70s. Finally, towards the end of the century, jewelry began to lighten up again, focusing on diamonds and feminine shapes. Popular Victorian motifs are flowers, nature and especially serpents, which are a symbol of eternity.

1880

 

1910

 

Art Nouveau

An art movement defined largely by the work of Alphonse Mucha, the Art Nouveau style found its way into the design of many household items. This style made profound use of stylized natural forms. Elegantly curving vines and floral motifs were common. Women with long, flowing hair and dresses were often to be found in Art Nouveau style pieces. Classical themes were quite popular as they were throughout much of the Nineteenth Century.

A decorative style that began in the 1890s and lasted until the early 1900s, taking its name from the Parisian gallery of Samuel Bing, Maison de l’Art Nouveau. It took on many guises throughout Europe: Jugenstil in Germany, Stile Liberty in Italy (after Liberty of London), the Glasgow School and the Vienna Secession. Art Nouveau artists reacted against what they saw as the slavish mass-produced copying of historic styles, choosing instead to focus on flowing lines, asymmetry, and superior craftsmanship. They took inspiration from the natural world and the arts of Japan, often utilizing insect, floral and female motifs. Instead of encrusting pieces in faceted stones, jewelers chose to use enameling, semi-precious stones (usually cut en cabochon) and unusual materials such as moonstone, opal and horn to enhance the beauty and originality of their design. Soon, copies of artisan pieces were being mass-produced and extravagant style began to decline. Major craftsmen of the Art Nouveau period were René Lalique, Tiffany & Co. Maison Vever, Georges Fouquet, Philippe Wolfers and Lucien Gaillard.

1901

1915

Edwardian

(1901-1915) The death of Queen Victoria, notably, marked the end of the Victorian Era proper. The designs of that period, however, continued to be always popular. Lace and filigree were favorites in the Edwardian period.

The dominant decorative style at the turn of the twentieth century, named after Edward VII of England, who was on the throne from 1901 to 1910. This was a time of luxury, elegance and refined beauty. Fashion became light and airy, with an emphasis on ethereal white layers, delicate lace and a feminine silhouette. Jewelers recreated Belgian lace and downy feathers in platinum, diamonds and pearls. Common motifs were garlands, swags, bows, tassels and wreaths. Peridot, demantoid garnets and amethysts were favorites of King Edward and Queen Alexandra and gained popularity during their reign.

1905

1935

Arts & Crafts

(1905-1935) Notable in this style were designers and architects such as William Morris, Gustav Stickley and Frank Lloyd Wright. The style emphasized simple, functional designs with straight lines and angular forms. It also favored hand-made products over machine-made.

A movement in the decorative arts that began in England in the 1890s and continued until the first World War, although its effects were felt into the 1930s. The movement was based on the philosophy of William Morris, who rejected mass-production and focused on craftsmanship, simple design and truth to materials. Originally intended to bring quality deign and craftsmanship to the common man, with the cost of materials and labor it quickly became an expensive aesthetic embraced by the upper class. Arts & Crafts jewelry focused on abstract natural motifs and humble materials. Artists used silver, copper, enamel and cabochon-cut stones to enhance the design of the piece, preferring them to precious metals and faceted stones. Common motifs are thistle, peacocks and Renaissance and Celtic designs. The style was made especially popular by the work of C.R. Ashbee, who brought the style to Liberty, where it was mass-produced for the public.

1920

1940

Art Deco

(1920-1935) Characterized by clothing designer Erté and painters like Tamara DeLempika, the Art Deco movement frequently used long sharp lines and bright colors. Similar to the Arts and Crafts movement which was happening at the same time, much of the Art Deco style was very angular. The influence of the Art Nouveau style was still evident in some typography and the use of naturel' motifs.

A decorative style that originated in France during the 1920s and 30s, named after L’Exposition Internationale des Arts Décoratifs et Industriels Modernes of 1925. Art Deco emphasized geometric design, abstract pattern and exotic motifs, leaving behind the sensuous curves and soft colors of the nineteenth century. Craftsmen embraced modern streamlined designs, with geometric gemstone cuts and bold color combinations taking center stage. Diamonds, emeralds, rubies and sapphires were the gems of choice, embellishing the long necklaces and dripping earrings of the time.

1930

1955

Retro

Retro is a term used for jewelry from the 1930s through early 50s that are characterized by large, glamorous designs in yellow and rose gold. Synthetic and semi-precious stones were popular as precious stones were scarce. During the depression, World War II and the post-war years, metals and stones were harder to come by so jewelers creatively used small amounts of material to create chunky, machine-inspired pieces. Retro jewelry is still wearable and en vogue today.

1960

1980

Minimalist

Minimalism describes various forms of art and design where the work is stripped down to its most fundamental features. As a specific movement in the arts it is identified with developments in post-World War II Western Art, most strongly with American visual arts in the late 1960s and early 1970s.